Changelog

Valise has always autogenerated IDs for new artworks. By default, we would look at your most recent ID and bump the number from there. That works well in most cases, but for established artists coming to Valise with an existing ID system, it could be frustrating:

• IDs with years, like AB.2026.17, would keep counting in 2026 after the new year, instead of starting at AB.2027.01
• IDs without separators like 202699 would get treated as a whole number, incrementing to 202700
• IDs with text after the number, like AB-005-P where P might mean “painting”, would lose that text, incrementing to AB-006 instead of AB-006-P

Every wrong guess meant having to go into the individual artwork page to fix the ID.

Now, Valise supports defining an artwork ID format, so artists with existing IDs can have Valise match their existing format.

When you first add works to Valise, we’ll attempt to read the format out of the IDs you use from manually entered artworks or imported works. Vault owners can customize this format at any time from the vault settings, or directly from the new artwork form with the settings button beside the ID.

When defining a format, you can choose text, year, and number blocks to build IDs like VD-0043, 2026-82, or EK.26.05. This new structure means:

• Years start over. If your IDs include a year, numbering starts again at 1 on January 1, so the first artwork of 2027 gets 2027-01 without you typing it.
• Older works use their year. The year comes from the artwork’s Year field, so a work from 2019 gets the next 2019 number rather than the next 2026 number.
• Other IDs won’t change the count. Typing an ID in a different style, like a gallery’s stock number, no longer switches what your next artworks use.

We hope this change makes it simpler and easier to maintain your archive.

We’ve recently added several new filters for artworks, sales, and consignments:

The Dimensions filter is useful for planning shows or shipments, which often require knowing which works fit in a space. You can find works under 30 inches for a flat file, or over 80 inches for a long wall. We’ll also handle unit conversions, so you can filter in cm even if you’ve typed dimensions in inches.

A new Retail price filter lets you find works priced over or under an amount, or in a currency. To find works over $5,000 USD, add one filter for the amount and a second for the currency. You can also show prices on each work from the Display menu.

Working with invoices or checklists, finding works by ID can be easier than hunting by title. You can now paste a list of IDs and see just those works, or every work but those.

And lastly, we’ve also added a new Net to artist filter for sales, and consignee, document, and notes filters for Consignments.

When we first built edition support in Valise, it came with several restrictions intended to help prevent mistakes: editions required setting a fixed size up-front, with numbers assigned then too.

However, as we’ve worked with artists and estates using Valise, we’ve seen these restrictions be more annoying than helpful. Some artists number prints only when they sell them, some estates find more prints after they first counted, and imported data can sometimes only include details for portions of a run.

Today, we’re launching a new, more flexible edition approach:

• You can now change the edition size or the number of proofs. Resizing never deletes editions. A larger run opens new numbers, and editions that don’t fit a smaller run move to Unassigned until you give them new numbers.
• If you recorded a sale on 3/5 when you meant 2/5, you can drag one onto the other to swap their numbers without needing to update each record.
• Editions can now go without a number. Unassigned editions can still be sold and consigned, if you prefer to assign numbers later.
• Spreadsheet imports can include just part of a run. A file with rows for only 2/5 and 4/5 imports those two editions and leaves the other numbers open.

While it may sound more complex, in practice, editions should feel a lot simpler and work how you’d expect more.

We’ve also taken the opportunity to improve a few bits of the editions UI:

• The edition table on an artwork’s page shows status, location, and sale data more compactly, making it easier to see which ones are missing data.
• We’ve added more … menu and bulk actions for working with large runs, including overriding dimensions for multiple works.

See our editions docs for more details

When your work sells through a gallery, the sale price isn’t the same as what reaches you. Gallery commission, shipping and framing costs, or reimbursement for expenses all change the net amount you receive.

Sales now have an optional Net to artist amount for what you were paid. When adding a sale or editing line items, open the menu beside Sale total and choose Add net to artist… to enter an amount. It’s one figure for the whole sale.

This amount shows under the sale total everywhere, and as a column on the Sales page too. This lets you filter sales by year to quickly see your income from all sales.

Read more in our sales docs.

Valise now supports setting default medium, dimension, location, status, and artist information for all your new works. Especially for artists who primarily work in a single format, this should make adding new works easier.

To configure these settings, go to your vault settings, where you can customize the New Artwork Defaults section. You can always override these values when adding a new artwork, these just set initial values.

This change replaces the existing “default artist” option. If you had this option turned off, your settings will carry over.

See the vault settings help page for details.

Paperwork can end up being the home for a lot of what you know about your works. For example, a buyer’s name, a consignment agreement that names the gallery, or a condition report that mentions a scratch on the frame.

Our global search now supports finding text within uploaded documents, meaning you can find this information even if you haven’t copied it into a notes or buyer field. You can type an invoice number or a phrase you remember from a file, and you’ll see results for the documents that include them. Each hit shows the filename and a snippet of the matching text, and opens the artwork, sale, or other record the document is attached to.

Valise reads the text of PDFs, Word documents, plain text, CSV, RTF, and HTML files. Images and scans without a text layer aren’t read.

Documents follow the same pricing access rules as before: team members who can’t open a record’s documents won’t see them in search results either.

Prices can be sensitive information in an archive. An assistant cataloguing new work or an intern organizing images may not need to see what things sell for. Or even for your own account, you might not want them on screen when showing someone records in your vault.

We’ve now added two new features to let you control how prices are shown.

First, when inviting someone to your team (or editing an existing membership), you can now toggle the Pricing access switch to control whether they see prices, sale amounts, and expense amounts. With it off, all price fields are masked and price data can never be edited. Prices often live in the paperwork too, so the member can see that a record has documents, but not open them. Owners always have pricing access.

Second, for your own account, we’ve added a new Mask prices toggle in the user menu. Flip it on to hide prices across Valise while you share your screen, and flip it off when you’re done. It only affects what you see on that device, and doesn’t change anything for the rest of your team.

Archives can be full of dates you only half know: a group show in Spring of 1997, an article published sometime in the early 2010s, or a sale you lost the records for but you’re pretty sure was in 2013. Until now, Valise required a full date when inputting this data, which sometimes meant inventing one.

Now, date fields in presentations, press, consignments, and sales accept different precisions: Type 2019 for just the year, May 2019 for a month, or a full date when you know it. Valise stores exactly what you entered, and respects that level of accuracy everywhere. Partial dates also work with sorting and filtering as you’d expect.

Nothing changes for dates you’ve already entered, and you can always make a partial date more accurate whenever you learn more.

Selling a work and being paid for it are two different events, often months apart. Sales now carry a Payment setting so you can keep track of both.

Set it when you record a sale, or from the sale’s page later: mark it Paid along with the date payment landed, or Not paid if you’re still waiting. Sales you haven’t looked at stay at No payment info, so an unreviewed sale never claims you’re owed money.

To catch up on a backlog, select any number of sales from the sales list and use Set payment status… to update them together. When marking a batch as paid, Paid on each sale’s own sale date stamps every sale with its own date rather than one date for all of them.

We’ve also added support for filtering by Payment Status to pull up everything you haven’t been paid for, or by Payment Date to see what was paid in a given year. Combining filters, such as “sales from last year that are still unpaid”, can help you keep track of what’s still outstanding.

Read more in our sales docs.

The hardest part of an inventory is keeping it up to date. Remembering to enter the sale receipt from your gallery, record a consignment, and so on.

Document scanning lets you drop a PDF, photo from your phone, or Word file into Valise and have Valise create the records for you. Sales receipts will read the work, price, and buyer. Your CV can be used to prefill your exhibition history. Pasting an article link can import it as a press clipping in your vault. Scans run in the background and appear in your vault when they complete.

Scanning is the only feature in Valise that uses AI, so it’s worth reviewing created records for accuracy. We also take steps to ensure as little data is shared as possible. You can read more in our document scanning docs.

You can now sign in to Valise with a passkey, so you can reach your work with your fingerprint, face, or device PIN instead of typing a password or waiting on an email link.

They’re both faster and more secure than traditional login methods, helping prevent phishing attacks and making it easier to access your inventory when moving between your studio, a fair, or your gallery. There’s nothing to remember and nothing to type.

To add one, open your account’s Security settings and choose Add passkey. Next time you log in, pick Continue with Passkey and you’re straight into your account. You can register a passkey on each device you use and manage them from the same place whenever you like.

Coverage of your work tends to scatter — a review in a magazine, an interview you were sent a PDF of, a link someone emailed you two years ago. Valise now has a home for all of it. The new Press page keeps every article, review, and interview that mentions your work in one archive.

Adding press is quick. Paste a list of article links, one per line, or drop in PDFs and scans of printed clippings, and Valise reads each one and fills in the details: the title, the publication, the date it ran, who wrote it, and which of your works it mentions. Each link or file becomes its own entry. Links you’ve already saved are skipped, so you can paste freely without creating duplicates. You can also add a piece by hand if you’d rather.

Each entry links to the works it discusses, so every artwork page now has a Press section showing the coverage it has received. Authors are saved as contacts, which means you can pull up everything a particular writer has written about you. And you can star the pieces that matter most — the ones you’d put at the top of a press kit — then filter your archive down to just those.

Press entries are searchable alongside everything else in your vault. Read the guide to get started.

For a while now, we’ve offered concierge migration to Valise: you can send us your data, and we’ll bring it in on your behalf. Now, Valise supports self-serve imports too, so you don’t need to wait on us.

From the Import/Export Settings page, choose ArtLogic, Art Record, or Artwork Archive, and upload the export file from that service. We’ll show you a preview of everything that will be brought over, along with any warnings.

Different services keep different levels of detail, and their exports vary just as much. Each guide covers how to get your export out of that service, and what data the import brings in: ArtLogic, Art Record, and Artwork Archive.

An import never overwrites what’s already in your vault. Works that share an ID with something you already have are skipped rather than duplicated, though a repeat import will quietly fill in images and documents that a previous run didn’t manage to fetch. Everything created along the way is tagged Imported, so you can review the results and filter them down afterward.

We’re always happy to handle a migration for you, so reach out if you’d like a hand. But hopefully this makes it easier to try Valise out when you’re ready.

You can now add captions to the images in a presentation, just like you can on artworks. Captions are useful for noting where an installation shot was taken, crediting a photographer, or describing what a detail view shows.

To add one, open a presentation, hover over an image, and choose Add caption… from its menu. Captions can include bold and italic text and links, so you can italicize a title or point to a source, and they travel with the presentation wherever you share it.

By default, a shared collection shows a single thumbnail for each work, its primary image. Now you can choose to show every image on a work instead. When you share a collection, open its share settings, find the Images option, and switch it from Only primary image to Show all images.

This is a great way to give collectors the full picture of a work — detail shots, installation views, and alternate angles all alongside the primary image.

We also rebuilt image zoom from the ground up. Clicking any image opens a viewer you can move through with the arrow keys or on-screen controls, stepping between every image on the page. Captions appear beneath each image, and you can download the full-resolution file. Images are also grouped, so it’s clear which ones belong to the same work and which belong to a different one.

We’ve reworked how uploaded documents appear throughout Valise. Each file now has more space and shows a preview — a thumbnail for images, or a file-type icon for everything else — making it much easier to recognize a document at a glance. Clicking anywhere on a file opens it.

Each file now also shows its size and upload date, and you can download or rename it straight from its menu. This makes it easier to upload files as-is and sort them out afterwards, like when uploading a file named scan_0014.pdf and you’d rather it read as Condition report (2026).

Notes and captions across Valise can now include bold and italic text, along with links. Use them to italicize the title of a referenced work, credit a photographer on an installation shot, or add a link to a source, a gallery page, or an email address.

Your formatting follows the note everywhere it appears, including shared collection links and PDF exports.

You can now filter your collections, just like artworks and consignments. Filter by title, by whether a collection is shared, by the number of works it contains, or by the artists included. When you’ve built up a long list of collections, this should make it much easier to find the one you’re looking for.

We’ve also refreshed the filter controls throughout Valise, bringing common actions into easy view so applying and adjusting filters takes fewer clicks.

Adding a new artwork now happens in a quick dialog instead of a separate page, so you can record a work without losing your place. Alongside the basics, you can now set the status, location, medium, and dimensions right away.

You can also press N from your artworks page to start a new artwork — the same shortcut that works for sales and presentations.

You can now add a caption to any image on an artwork. Captions are useful for recording details that don’t fit anywhere else — like crediting the photographer, noting the location where an installation shot was taken, or describing what a detail view shows.

To add a caption, open an artwork and hover over any image. Click the ellipsis menu and choose Add caption…, then enter your caption and save. Captions appear below the image in the lightbox and are included when sharing a collection link.

Artwork expenses can now be exported as a report, making it easier to submit to your gallery for reimbursement.

From any artwork’s Expenses section, use the ellipsis menu and select Export as report… to download a PDF with the artwork details, an itemized list of all expenses, and a total.

If any expenses have receipt files attached, the export will include them alongside the PDF in a ZIP archive, with each file named to match its corresponding line item in the report.

You can also export expenses as a CSV for use in a spreadsheet.

When recording a sale, we save the retail price of each artwork at that moment so we can show historical prices and compute discounts later. Previously this was set only from the artwork’s page, which meant that if a price was missing or wrong at the time of a sale, you couldn’t correct it from the sale itself.

Now, you can edit the retail price of any line item directly in the sale dialog. Click the price on a line item to open a small editor where you can adjust both the retail and sale prices side-by-side, with the resulting discount shown as you type.

Valise now supports self-serve imports of artwork data from spreadsheets.

From the Import/Export Settings page, in the imports section, select Spreadsheet. You can download our CSV template, fill it out, and upload the file back to us. We’ll provide a preview of everything that will be imported. We’ll also flag any warnings, like missing fields or duplicate records, so you can fix issues in your spreadsheet before affecting your vault.

These imports are helpful for an initial migration to Valise, but also if you’re backfilling an old archive with data from your gallery, other services, or paper records.

Give it a try and let us know if you have any feedback or questions.

As we’ve added new features, Valise got harder to use on mobile devices. Text fields would sometimes extend off-screen, and reordering uploads or collection artworks could sometimes interfere with your ability to scroll down the page.

We’ve made these core elements easier to use on phones:

• Text fields can no longer extend off-screen. When editing, the field will automatically expand to fit the text you’re editing, so long artwork titles are no longer cut off.
• Deleting uploads is now tucked into a press-and-hold menu, making it harder to accidentally delete an uploaded image—and now also making it possible to quickly download a single JPG on the go.
• Reordering works now has an explicit Edit button, preventing accidentally reordering artworks when you’re just trying to scroll down the page.

The consignments page now has quick filters, letting you press to quickly see active and upcoming consignments. We also now show full start and end dates for consignments. When you’re preparing for a consignment starting soon, or you want to see which works are consigned right now, this should make it much easier to find what you need.

We’ve refined how sorting works on the artworks page to group works more logically.

Now, when you sort works by title, by year, or by last updated time, we’re smarter about how works within the same year/title are grouped. We’ll always group works by title and by artist. And these sub-sorts are consistent now too: flipping from most recent to oldest won’t cause the list to go from A-Z to Z-A.

This should make it much easier to find what you’re looking for, regardless of how you prefer to browse your collection. And please let us know if you think this could be improved further.

Newly created artist proof (AP), printer proof (PP), and exhibition copies (EC) editions will now be set to the “Not for Sale” status by default. This better reflects the way most people think about these edition types, and plays more nicely with other Valise features like availability in collection previews.

We’ve also updated the edition pickers for both sales and consignments. They’ll now indicate whether editions have already been sold, or are marked not for sale, making it easy to tell why an edition isn’t available.

We’ve updated collection previews with a new Availability toggle, letting you add an indicator of whether a work is available for purchase or not.

This is a great way to share a collection with potential buyers and keep them aware of what works have already sold and which ones are still for sale.

For editioned works, we’ll treat a work as available as long as there’s one edition that’s available or consigned, excluding artist proofs (APs), printers’ proofs (PPs), or exhibition copies (ECs).

Editions now support document uploads, making it possible to track condition reports, edition-specific receipts, and other documents directly on the works themselves.

Throughout Valise, we’ve now added the ability to make edits to many records at once, including artworks, editions, and sales.

In each of these places, we’ve also added new actions for common changes: for example, when selecting multiple artworks, you can now quickly copy tombstone information for all of them at once. Or quickly export a PDF from a small set of works. Or when selecting editions, you can now modify their status, dimensions, or location all at once.

We hope this makes it easier to keep track of your data. And if you have suggestions for other actions you’d like to see, please let us know.

Locations can now be merged together. This is useful if you move studios, stop renting a storage unit, or need to clean up incorrectly entered data. Go to the Location Settings, select several locations you’d like to merge, then tell Valise which location is the destination.

For a while you’ve been able to download the images attached to an artwork record. We’ve now updated this feature to give you a more legible export, with images tucked into a folder and filenames that reflect your artwork title.

We also made it possible to download every image for every artwork in a collection at once, from a collection’s menu.

When most consignments last a year, it’s easy for the ending of that consignment to slip your mind. We’ve heard stories from artists who lose track of where their works are because consignments ended but their works were never sent back.

Paid accounts will now receive a reminder 3 days before a long-running consignment ends. This reminder includes a list of works in the consignment, and a link to the consignment details to quickly see and follow-up with the consignee.

We’ve also extended consignment to have their own Notes field, letting you track any additional information about the consignment.

You can now filter artworks by multiple statuses, so you can quickly find all the Available or Consigned works. We’ve also extended a few filters to support not in queries, so you can find every work that doesn’t have a status, or isn’t tagged with a tag.

The artwork page now allows you to sort works by artist name first. This feature is most helpful for collectors, who may have many works by different artists and would prefer to see them grouped together.

When filling out grant applications forms, drafting emails, or texting your dealer, it can help to have quick access to artwork details. We’ve tried to make this easier by introducin a new right-click menu on artworks.

When right-clicking on an artwork, you’ll now see options to quickly open the artwork, copy rich-text formatted artwork details, or download the artwork’s primary image in a JPG format.

We’ve just launched a public beta of the Valise API, offering a read-only view into your data stored on Valise.

Developers can use the API to build integrations on top of Valise, such as powering a portfolio website with data from a specific collection in your vault, or syncing data from Valise to other systems.

The API is currently in private beta. If you’d like to use it and provide feedback, please get in touch.

You can now quickly add artworks to presentations directly from the artwork page. When backfilling your archive of works, this makes it much easier to fill in missing data without jumping around.

As a part of this, you can also now create a presentation directly from the artwork page as well.

Since the introduction of collections, Valise has allowed you to share them via links with collectors, galleries, and others, and making real-time updates to those collections as needed. But sometimes, you just want to email a PDF.

We’ve heard you, and are now launching a PDF export feature. Now you can export to a PDF in one of three styles:

• a Portfolio, which features a single artwork per page
• a Tear Sheet, which has image thumbnails and artwork details, like an exhibition checklist
• or Labels, which features no images

You can generate PDFs for any Artwork or Collection. From a page, click on the three-dot menu and then Export to PDF… to open the export dialog.

We’ve revamped Valise’s global search to make it easier to find what you’re looking for.

As a recap, Valise offers a powerful filter system on each page for narrowing down a specific type of data, like artworks, contacts, or sales. But sometimes you just want to jump straight to a specific record. That’s where the global search comes in.

Previously we used simple in-browser search, but that could be slow for larger vaults and didn’t handle misspellings, accented characters and other common but not obvious cases. This new system handles all of that, and also includes more data than before, like tags, artists, and all edition information too.

Give the new search a try by pressing the search icon in the top-right of any page, or using the / shortcut.

A small but important change: you can now edit the currency of a sale.

Previously, when recording sales we would use the currency of the artworks included in that sale. For most artists, this is fine, but if you work across currencies — such as selling a work priced in CAD via a gallery in the UK — you weren’t able to change this.

Now, when adding or editing the line items of a sale you can configure the currency of the sale overall, to ensure your records are accurate.

We’ve recently added support for importing data from Artwork Archive, making it easier to migrate to Valise from other services.

Our importer is still in development and requires contacting us to do the imports on your behalf. If you’re interested, reach out and we’ll be happy to help.

Alongside this change, we’ve also made a few other improvements to imports:

• We now have a help guide explaining how to export your data from various tools to import into Valise. You can read it here.
• We’ve improved our importer’s handling of fetching images and files from other services, meaning vaults with thousands of images should now import more smoothly than before.
• Imports from various services now support importing presentation records and collections from services which offer equivalent functionality.

Like for artworks, you can now apply tags to editions. This is a great way to organize your editions and make them easier to find.

Tags can also help you keep track of structured information about editions, like whether you’ve been paid for a sale (e.g., “unpaid”), or for production status (e.g., “unprinted”).

To add a tag to an edition, open an artwork, and then edition page, and click on the tags field. You’ll be prompted to search existing tags or create a new one.

You can review all your tags from the Tags Settings page.

We’ve recently made a few improvements to sales and consignments.

First, you can now edit sales and consignments after they’re created.

This makes it easy to correct mistakes or make changes to any data — particularly helpful when recording a large consignment, where it’s easy to miss a single artwork amongst a large set.

We’ve also made a number of smaller improvements:

• Retail prices are now recorded with sales, so we now show historical retail prices and any applicable discounts when looking at a sale. This only applies to newly recorded sales.
• The sales index table now shows the sale total and retail total for each sale, so you can quickly see which sales brought in the most money.
• We fixed a small bug where quickly switching between artworks would show the retail price for the previous artwork.
• We fixed a bug where an artwork’s page would only list consignments for the first edition. Now, it correctly lists consignments for all editions, and you can even see per-edition consignments from an editions own page.

Valise now lets you sort data on any page.

Before, data was usually organized by date: newly created collections would appear first, as would more recent sales. However, this default ordering isn’t always helpful. If you’re…

• reviewing works from the beginning of your career, you probably want to see the oldest works first, instead of having to scroll to the bottom every time.
• you’re looking for the most recent collection you’ve updated, even if it’s old
• you remember exhibitions titles more than years

Now, you can order data however makes sense for you: recently updated first, alphabetically by title, large sale amounts first, or even by consignment start and end dates. Press the Display button in the top right corner of any page to adjust your settings.

It’s a small change, but one we hope helps you find what you’re looking for faster.

Valise now supports overriding year, medium, and dimensions for individual editions. This is useful when you’re doing a run of prints and need to adjust the year or medium to account for a new production date/method. It’s also useful for variant editions.

You can edit these settings from any edition page, which you can get to by clicking on the edition number (eg. 1/5) in the edition table. From there, you can unlock fields you want to edit, and change the values as needed.

Part of keeping an inventory of works is tracking their provenance, which includes events where they’ve been displayed. Whether on solo or group exhibitions, art fair booths, online viewing rooms, grant or residency applications, or elsewhere.

Valise now supports tracking this information in a first-class way with a new Presentations section. You can now record the venue, title, dates, and more information about any show, upload related images and documents, and connect artworks in your vault.

Try it out by adding a presentation to your vault.

Valise lets you track sales for individual or sets of artworks. Until today, the only way to access that information was to open the artwork itself and find the sale record.

If you needed to review your sales in aggregate — maybe to answer questions like “how much did I earn from sales in 2022?” or “which of my galleries sold the most works” — it required more manual work than it should have.

Well no more! As of today, you can now see all your sales in one place and filter them by date, buyer, seller, amount, and more.

To give it a spin, open up the sales page in your vault.

Valise now supports tracking artists for artworks. This is a new feature that’s useful for artists who frequently work with collaborators, or collectors tracking works by multiple artists.

Since most Valise users only track their own works, by default, all new artworks are assigned to their vault’s contact information. If your vault name is Alice Chen, all new artworks you create will have Alice Chen as the sole artist. That name will appear in your artwork-view pages and in collection preview links shared with others.

If you’d like to opt-out of automatically assigning yourself as the artist, toggle the “Default Artists” setting on your vault settings page.

When signing up you may have chosen a name like Alice Chen Studio, which leads to that phrase appearing throughout Valise. We recommend naming your vault after yourself. You can update your vault name on your vault settings page.

When tracking information about your works, you’ll inevitably want to keep track of the people and organizations you work with too: who are these works consigned to? Who bought these works? What photographer took these documentation photos?

Contacts are a way to keep a handle on all this information. Contacts act as a single home for any information about a person or organization, referenced throughout your vault.

You can create a contact as you’re creating a consignment, or recording a sale. Once you’ve done so, it’ll autocomplete for future consignments or sales.

If you want to edit or delete contacts, you can do so from the Contact Settings page.

And to keep things organized, you can assign contacts one or more roles, which determine where we show them to you. So you won’t see buyers suggested when you’re creating a consignment, but you’ll see them when you’re recording a sale. If you want to change which roles a contact has, you can do so from the Contact Settings page.

For all the details, read our contact docs page

Until recently, if you wanted to navigate between two artworks, you either had to go back to the artwork index or use the search. This was a bit of a pain, especially if you were using filters to narrow down artworks, because those filters would be lost every time you navigated somewhere else.

We’ve introduced two changes to make this much easier:

• Filters now persist for your entire session, so you can click into an artwork page and then return without losing your place.
• You can use the new arrow navigation in the top-right corner of the artwork page to quickly navigate between artworks. You can also use j and k to navigate left and right, respectively. (These are the same shortcuts as Gmail and other apps.)

What’s more, when navigating to subsequent and previous artworks, we’ll only show you the artworks that match your current filters.

This makes it easy to filter down to a subset of works that need edits and then quickly navigate between only those works. For example, if you’re adding location information to every artwork that’s missing it, you can filter by Location → Is Not Set, pick the first artwork, and then work your way through the list with j and k.

We’ve now added support for displaying HEIC and TIFF images in Valise. We hope this makes it easier for you to quickly add documentation of your works directly from your iPhone or working files.

TIFF (.tiff) is an older image format that’s useful for storing lossless image data.

HEIC (.heic or .heif) is a new image format that’s designed to have a smaller file size with higher quality. Since iOS 11, most photos taken on an iPhone are saved as HEIC files.

Web browsers like Chrome, Safari, and Firefox don’t natively support displaying these image formats. This means you often need to convert these images to different format before you can upload them to apps.

Valise now supports uploading and displaying these formats like any other image type. And we do this without any changes to the raw data you upload to us, so when you request an export of your data from Valise, you’ll get back the original unmodified TIFF or HEIC image.

You can now apply tags to artworks. This is a great way to organize your artwork and make it easier to find.

We’ve seen early users of this feature use it to group artworks by medium (e.g., painting vs. sculpture), add status information (e.g., “unsigned”), or add collaborators’ names.

To add a tag to an artwork, go to the artwork page and click on the tags field. You’ll be prompted to search existing tags or create a new one.

On the Artworks page, you can filter by tags to find every artwork with a specific tag.

You can now create new vaults to help organize your work or collaborate with others.

When you first join Valise, you’ll be prompted to name your first vault. After signing up, you can create additional vaults in the top-left corner of the dashboard.

You can invite others to join your vault from your settings page. For more details, see our help docs.

As a part of this change, you can also delete a vault you no longer need from the settings page. To be safe, we’ll notify all owners of the vault and wait 72 hours before deleting it.

Valise is still in beta and is currently free to use. However, when we turn on billing, we’ll require each vault to be a separate subscription, so keep that in mind as you structure your work.

One of the biggest benefits of cloud-based software is that it’s someone else’s job to keep your data backed up and safe. However, this is also the biggest downside: oftentimes, you don’t have access to your own data, can’t keep backups yourself, and can have a hard time migrating to other tools.

We want Valise to be different—we want our users to be able to leave at any point in time, without feeling locked in. To support that, we’ve added a data-export feature to Valise.

From the Import/Export Settings page, you can get a full export of all the data you’ve given us at the click of a button.

After requesting an export, within a few minutes you’ll receive an email with a link to download the export. It’s a .zip file that includes your artworks, consignments, and sales, plus all the images and files you’ve uploaded to Valise in their original size and resolution.

For more details, see our help docs.

Valise now supports editioned artworks. After creating an artwork, you can set up editions for it.

You can specify the number of editions (up to a maximum of 100) and the number of Artist Proofs (APs) for each edition. For example, 3+2AP.

Once an artwork is editioned, each edition will have its own location and status fields, and sales and consignments will be associated with specific editions rather than the whole artwork.

Learn more in our help article about editioned artworks.

We have recently completed a number of smaller improvements and fixes while we work on the next big features:

• Added a new Profile Settings page for editing user settings (which are distinct from team settings).
• Added support for zooming in to uploaded images on artwork pages. Tap on an image to see it in high resolution and tap again to close.
• Search now returns 20 results instead 10.
• Fixed an issue where search results were matching unrelated words.
• Fixed an issue where edits made to collections were not being synced properly and might have shown outdated information on artwork pages.
• Fixed artwork sorting ambiguity: previously when “title” or “year” was selected, duplicate titles or years would sort in an arbitrary order. Now, they will fall back to sorting by ID.

You are now able to keep track of expenses for an individual artwork in Valise.

This is useful to keep track of framing, shipping, and production costs that arise during the production of an artwork. In some gallery relationships, you’ll be reimbursed for these expenses. And even if you’re not, having a record of expenses can be useful to negotiate better rates with vendors, and to understand the true cost of producing your work.

Read more in our artwork expenses guide.

You can now edit the display of your collections, toggling between a grid or list view.

And you can now reorder your collections by dragging and dropping them into the order you want. This can be helpful when preparing for a show or refining the private preview you’re sending to galleries or collectors.

Large file uploads will now show a progress bar to give you a sense of when the upload will complete.

Collections can now be privately shared with a secret link. You can also set a link expiry date to automatically disable the link after a certain day.

When recording a sale, you can now record prices for each individual artwork. We’ll calculate the total price for the sale, and any discount percentages if applicable. After creation, you can see this info later on the sale’s page.

Valise will now auto-generate unique IDs for artworks. You can customize the prefix and numbers behind these IDs at any time. Then, next time you add an artwork, Valise will automatically generate the next ID in the sequence.

Read more in our Artwork ID docs.

We just added support for tracking basic sale information. You can now record a sale for multiple artworks, and track the sale price, date, and buyer information.

You can now filter artworks on the artworks page by title, year, status, and location.

On this day, we started working on Valise in earnest. Thanks for scrolling all the way back here!