Duration of care
Today, after three years of work, we’re launching Valise 1.0. Artworks have long lives, and keeping track of them is a form of care—the kind we want your records to be held with.
- Brian Sholis
Today, after three years of work, we’re launching Valise 1.0. Artworks have long lives, and keeping track of them is a form of care—the kind we want your records to be held with.
Features and improvements we’ve recently shipped.
Mark a sale as paid or not paid, record the date payment landed, and filter for everything still owed to you.
Drop a PDF, photo, or Word file into Valise and it fills in the details for you—no more retyping sales, exhibitions, or press by hand.
Passkeys let you into Valise with your fingerprint, face, or device PIN, with no password to type and no email link to wait for.
Keep the articles, reviews, and interviews that mention your work in one place, filled in for you from a link or a scan.
Readings relevant to Valise users—and to others who like to think about making a life and career in the art world, keeping themselves organized, and using software to do one or both.
We take great interest in the work our community members produce, and occasionally share updates from them. Here’s the second batch with shows from Sam Contis, Ruoxi Jin, Dorian FitzGerald, Future Retrieval, Pamela Jorden, Kieran Brennan Hinton, Mark Stebbins, and Nancy Lupo.
Readings relevant to Valise users—and to others who like to think about making a life and career in the art world, keeping themselves organized, and using software to do one or both.
We take great interest in the work our community members produce, and occasionally share updates from them. Here’s the first batch with shows from Steven Beckly, Alex Olson, Lucas Foglia, Kate Newby, Kristine Moran, Braxton Garneau, Ido Radon, and Kim Fisher.
Readings relevant to Valise users—and to others who like to think about making a life and career in the art world, keeping themselves organized, and using software to do one or both.
Five years ago, while building the spreadsheet-template precursor to Valise, I asked myself, “If this was an artwork, which artwork would it be?” And then it hit me.
Readings relevant to Valise users—and to others who like to think about making a life and career in the art world, keeping themselves organized, and using software to do one or both.
We sit down with Los Angeles–based artist Christy Matson to discuss her latest show, “Index Color,” and her woven wall-based works.
Perhaps you’re just out of school and about to have your first solo exhibition in a commercial gallery, or you’re a little more seasoned and beginning a relationship with a new dealer. Here are a few things that, in our experience, are good to discuss transparently to ensure the process is as smooth as possible.
We place a lot of trust in software and software companies these days, but they regularly let us down. How can you trust Valise to last the decades you might need it to?
No one dreams of becoming an artist because they want to manage a small business. But keeping track of artwork details, production expenses, consignments, and sales not only gives you cover when confusion arises—it also helps you take advantage of unexpected opportunities.